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Met Opera Suspends James Levine After New Sexual Abuse Accusations

MICHAEL COOPER

The Metropolitan Opera suspended James Levine, its revered conductor and former music director, on Sunday after three men came forward with accusations that Mr. Levine sexually abused them decades ago, when the men were teenagers.

Peter Gelb, the general manager of the Met, announced that the company was suspending its four-decade relationship with Mr. Levine, 74, and canceling his upcoming conducting engagements after learning from The New York Times on Sunday about the accounts of the three men, who described a series of similar sexual encounters beginning in the late 1960s. The Met has also asked an outside law firm to investigate Mr. Levine’s behavior.

“While we await the results of the investigation, based on these news reports the Met has made the decision to act now,” Mr. Gelb said in an interview, adding that the Met’s board supported his actions. “This is a tragedy for anyone whose life has been affected.”

The accusations of sexual misconduct stretch back to 1968.

Chris Brown, who played principal bass in the St. Paul Chamber Orchestra for more than three decades, said that Mr. Levine masturbated him that summer — and then coaxed him to reciprocate — when Mr. Brown was 17 at the Meadow Brook School of Music in Michigan. Mr. Levine, then 25, was a rising star on the summer program’s faculty. James Lestock said that Mr. Levine also masturbated him there that summer when Mr. Lestock was 17 and a cello student — the first of many sexual encounters with Mr. Levine that have haunted him. And Ashok Pai, who grew up in Illinois near the Ravinia Festival, where Mr. Levine was music director, said that he was sexually abused by Mr. Levine starting in the summer of 1986, when Mr. Pai was 16 — an accusation he made last year in a report to the Lake Forest Police Department in Illinois.  DEC. 3, 2017

Grandi ipocriti, questi Americani! Che JL fosse un gran pedofil

Che JL fosse un gran pedofilo lo sapevano tutti, ma proprio tutti, nel mondo della lirica, da almeno trent'anni. Come mai fino ad oggi la cosa è stata sempre messa tacere con la collaborativa complicità dei medesimi che ora si affrettano tardivamente a scandalizzarsi e a sospendere "a divinis" il maestro porcellone?

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